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Purple Records PUR 353
barcode - 5 022911 353315

TRACK LISTING
Deep Purple. Days May Come...

Disc One
1 • OWED TO "G"
instrumental 3.30
2 • IF YOU LOVE ME WOMAN
(jam) 10.08
3 • THE ORANGE JUICE SONG
3.35
4 • I GOT NOTHING FOR YOU
(jam) 13.00
5 • STATESBORO' BLUES
5.53
6 • DANCE TO THE ROCK & ROLL
(jam) 11.02
7 • DRIFTER
rehearsal sequence 3.00
8 • DRIFTER
version 1 4.41
9 • THE LAST OF THE LONG JAMS
(jam) 9.01
10 • I GOT YOU BABE
1.05

DiscTwo
1 • DRIFTER
3.40
2 • SAIL AWAY RIFF
2.50
3 • YOU KEEP ON MOVING
8.18
4 • PIRATE BLUES
6.45
5 • SAY YOU LOVE ME
7.25

total running time approx 95.50 minutes

In March 1976 the Deep Purple played their last concert in  Liverpool, and passed into rock’n roll legend. There remains a fascination with the original band’s work which  remains to this day and nowhere do people’s opinons polarise more  widely than with the final Mk 4 line-up. They managed three months on  the road before it all fell apart. Speculation as to whether Mk 4 could have ever scaled the heights of  their illustrious predecessors is still rife amongst the fans.  Both David Coverdale and Jon Lord are on record as defending the  attempts to carry on with Tommy Bolin, citing the incredible  atmosphere during the “Come Taste The Band” album rehearsals. The  problem was that none of this material had survived. At least that  was thought to be the case.....

Jon Lord and Tommy Bolin, 1975Back in 1975 Robert Simon (aka Captain California), after several  years on the road as a sound engineer, set about turning an old  studio in Hollywood into a purpose built rehearsal facility. Named  Pirate Sound Studio, bands could set up a full stage rig, and  rehearse or jam in a relatively relaxed atmosphere.

Robert had done front of house sound for several Deep Purple tours  and so when Purple came off the road in April 1975, Pirate Sound was  booked - somewhere they could regroup and start to address the  problem of Ritchie Blackmore's replacement. Tommy Bolin got the gig,  and the band began to rehearse and write for the next album.  Periodically Robert - handling the mixer desk - would, at Purple's  request, bang in a tape, some of which survived but lay forgotten for  twenty years.

Cracking high energy blasts through some of the "Come Taste The Band"  tracks, as well as no holds barred instrumental free-for-alls powered  by Ian Paice, the material produced dropped jaws in all who heard bits. It is from these recordings that Days May Come... has been lovingly  assembled. There are early versions of songs for the "Come Taste The  Band" album, exhilarating blasts of the band jamming together,  rehearsing or enjoying David Coverdale’s painfully accurate working men’s club rendition of Sonny & Cher. All in all a rare treat for  fans, which proves that the final line-up of Deep Purple really did  have what it takes.

This special edition with a 12 page colour booklet includes the extra half hour of material previously unavailable only via mailorder and  has been extended to a double disc set.

This album can be ordered from DPAS Mailorder.


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